与狼共舞英语影评

[美丽的大脚英语影评]观看了《美丽的大脚》我感慨良深。也引起了我的思考。一、在平凡中超越以前，我总觉得伟大的情感与凡人的距离是很遥远的，英雄只属于太过华丽恢弘的史诗，不在凡人之列，更不在凡...+阅读

In ＂Dances With Wolves,＂ a frontier meeting between Union soldiers and Sioux warriors, first-time director Kevin Costner does what greater filmmakers would never have thought of.He disarms you.Making love, not war, with the Indians, Costner (with Michael Blake's screenplay) creates a vision so childlike, so willfully romantic, it's hard to put up a fight. He circumvents big-scale movie portentousness with straightforward, emotional storytelling and traverses most of the sentimental pitfalls with deftly simple humor. He even helps you forget this movie clocks in at just over three hours.You're left entirely scalped by his gentle edge, rubbing your head for liking what you saw. But there it is, and there he is, naked buns to the camera, staring at the bewildered Lakota Sioux staring back at him.He's John Dunbar, a Yankee soldier whose attempted suicide charge upon the enemy backfired, leaving him with a military decoration. Now a lieutenant, his request to see the last of the real frontier is honored and he's promptly dispatched to the dangerous, unchartered wilds of South Dakota to set up camp at Fort Sedgewick. The backup troops he's expecting, however, never arrive and he's left alone in majestic but unfriendly terrain.Yet Dunbar is such a naif (and Costner's guileless screen persona embodies this perfectly), and so respectful of the wary braves who observe him, he opens up a rudimentary line of communication with them. Before long, he's speaking Lakota, learning exotic names such as Wind in His Hair, and showing the Sioux where the tatanka roam. It almost goes without saying that Costner (who the Indians dub ＂Dances With Wolves＂) will meet and fall for a local woman (Mary McDonnell), an adopted survivor of a slaughtered Caucasian family.There's humor throughout ＂Wolves.＂ When wide-eyed Costner makes his pioneering request, for instance, he's faced with an obviously deranged major (an amusing Maury Chaykin), who constantly refers to Costner as ＂Sir Knight.＂ On the journey west, Costner, who is writing a journal of his exploits, is accompanied by an uncouth man (Robert Pastorelli) given to unconcealed flatulence. ＂Put that in your book,＂ giggles the traveler, after another of his signature crudities.＂Were it not for my companion,＂ intones an appalled Costner in voice-over, ＂I believe I would be having the time of my life.＂Last, but not least, is the fine array of performances by Native American actors, particularly Graham Greene as Kicking Bird and Rodney A. Grant as Wind in His Hair. They imbue Costner's labor of love with the kind of subtle dignity the movie asks them for -- and deserves.

狼图腾的读后感应从哪些论点写议论文

草原的灵魂——读《狼图腾》有感从小在《东郭先生》、《狼外婆》等童话故事的重陶下，印象中的狼总是凶狠、狡诈、可恶的，也从来没有想过在我们心中“声名狼藉”的狼，会成为蒙古人的图腾，被蒙古人像神一样地崇拜、学习。于是，以作狼的漂亮的图腾形象在我心中不断地堆砌、崛起。狼是忍者，是勇士。面对硕大的美餐——黄羊，它们在草丛中一动不动，连呼出的白气也极轻极柔，耐心的等待最佳的时机。那一刻的它们，是忍者，在挑战自己忍耐的极限。当黄羊吃地走不动时，它们又幻化成勇士，像几十枚破浪高速前行的鱼雷，运就着最锋利、最刺心刺胆的狼牙和的目光，向黄羊冲去。狼是谋略家。“在蒙古草原，平安后面没有平安，危险后面有危险。”狼坚信这一点，于是它们在不断的进化中升华自己的谋略。

还记得那个“飞狼”的故事吧，那么具有传奇性，有那么令人钦佩，连毕利格老人也对狼佩服得五体投地，在人与狼的残酷与反抗中，狼成为谋略家，一个精锐的眼神去令人心动。狼是纯洁的，是腾格的宠儿。“在一个人生命的终点，将躯体当成裸露坦荡的供品，从而把自己解脱的如此干净、彻底.”这就是天葬。蒙古人以死后被狼吃了为荣，把狼当作神的宠儿。他们坚信狼是神的使者，是草原的守护神，维持草原的平衡与昌盛。好一个“以肉换肉”，蒙古人的纯洁、虔诚可见一斑。狼是游牧精神的浓缩。在与狼的斗智斗勇中，我们总能看到成吉思汗的形象，充满血气方刚，充满狼的野性，狼的不屈，狼的坚韧，蒙古人把我们比作“吃草的羊”，真是准确极了，农业文明将我们的狼性变成了羊性，真是可悲。

好想像陈阵一样，与狼共舞，体会狼图腾的魅力。崇拜狼，崇拜狼图腾。狼也是可悲的。人是多么的愚昧，只看到狼的凶残，对它们进行斩草除根。随着农耕对草原的掠夺，人心变得越来越毒，毒药，兽夹子>不尽其数，它们像嗜血的恶魔向狼逼近，无视毕利格老人的愤懑和呐喊，无视腾格的心痛与无奈。看着老人为了保护狼，破坏打狼运动，在那一刻，仿佛一只饱经风霜的老狼他的头顶屹立，朝天哀嚎，安慰这死去的狼的灵魂。外来户的侵略，使得草场不断沙化。草原在戮狼声中不断地衰老、衰老，快要油尽灯枯，今天草原少了野味，感受不到天神的守护，这是怎样的一种残酷，狼的可悲，又何尝不是人类的可悲呢？看完了这本书，心中激流澎湃，陈阵他们，感受着狼，感受历史，也体会着历史，体会狼图腾的意义。

他们挖掘血液中狼的野性，提取灵魂中狼性的魅力。然而，最令我震撼的四季那些草原上的狼，那么勇敢，那么聪慧，那么坚韧，都最终毁灭于人类的手中。我想起毕利格老人的泪，想起陈阵的泪，那泪，包含着多么悲哀，无奈和撕心裂肺的痛苦。突然的，对草原失去了希望，那里再也没有了人与狼之间的斗争。再也没有“飞狼”的神话，有的只是宁静，可怕而又虚假。但愿，草原上的狼，最终会飞向腾格里。但愿，狼图腾的精神和灵魂在人们心中扎根。但愿的但愿，只剩下冗长的叹息，还有老人留下的泪光。