海底总动员英文观后感

[经理秘书英文简历表格]很多求职者在编辑个人简历时对求职意向都没有一个清晰的认识，或者说在编辑个人简历是对求职意向都没有一个明确的目标。因为以上原因导致很多求职者在编辑个人简历时都会特别...+阅读

海底总动员英文观后感 NO1

Hilarious, exciting and endlessly inventive, Finding Nemo is an awesome aquatic animation which will exhaust the adjective store of even the most hyperbolic film hack (ahem). One word just about does the job: genius. Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pops paranoia, he ventures away from the reef, but his dads dread is justified when a passing diver whisks him away. Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to se his son... Its a familiar formula for the digi-drawn dynamics of Pixar, whose Toy Story and Monsters, Inc. he proved such critical and mercial hits.

How increasingly impressive the achievement, then, that Finding Nemo feels so fresh. There is beauty and brilliance in every frame. Tasked with creating an undersea environment, the animators he excelled themselves, capturing textures, light, shade and movement that could be photo-real, were it not for the clever way the makers he subtly caricatured landscapes, as well as characters, lending a warm cartoonish quality to the stunning visuals. The splendour of natural history hit The Blue Pla is matched by the wit of the and stars.

Barry Humphries has a terrific cameo as a great white shark whos sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running.

海底总动员英文观后感NO2

The more things change, the more they stay the same. As we enter the summer of 2003, Walt Disney Pictures reigns supreme as the distributor of the best animated fare. Yet, less than a dozen years after Beauty and the Beast became the first (and thus far only) animated film nominated for a Best Picture Oscar, Disneys in-house animated division has degraded to the point where its a pale shadow of its former self. However, by acquiring the exclusive North American distribution rights for the films of Japanese master Hayao Miyazaki and by entering into a partnership with Pixar Films, Disney has managed to maintain its position atop the mountain, despite furious challenges from Dreamworks and Fox. Without either of those deals ?especially the Pixar one ?Disneys once unassailable position might he been lost.

The movies of the Pixar canon ?Toy Story and its sequel, A Bugs Life, Monsters Inc. ?he all been critical and box office successes. There is no reason to believe things will change with Finding Nemo. Visually, the film is just as jaw-dropping as its predecessors (if not more so). From a narrative standpoint, its not quite as ambitious as some of the earlier movies, but it has enough juice to keep things moving for 100 minutes. And, as always, the voice casting is perfect. Throw in a moral, and some nice touches of technical accuracy (that fish keepers will appreciate), and the movie represents the best family film to-date of 2003.

Finding Nemo takes viewers on an offbeat road trip, as an overprotective clownfish father, Marlin (Albert Brooks), teams up with a fetful hippo tang, Dory (Ellen DeGeneres), to find Marlins lost son, Nemo (Alexander Gould). While testing his boundaries and defying his father, Nemo wanders too close to a human scuba diving expedition and bees an aquarium specimen. Now, he spends his days as a captive in a salt water tank with several other inhabitants, including a royal gramma, a starfish, a puffer, and a butterfly fish, Gill (Willem Dafoe), whose lone goal is escape. Meanwhile, Marlin and Dory bre the dangers of the open seas ?including a trio of would-be vegetarian sharks, a forest of jellyfish, and the belly of a whale ?on their way to Australia, where Nemo is being held captive.

Pixar films always contain thematic content, and this one is no different. It touches on the issues of how a parents natural protective instincts can drive away a child, and how children, no matter how desperately they cre independence, still need their families. None of this is presented in a hey-handed manner. Instead, its offered in such a way that even the younger members of the audience will understand what the film is saying without feeling like theyre being subjected to a sermon. Theres also a message about the importance of diversity and harmony, as a wide variety of animal species band together to help Marlin as he searches for his lost son.

Finding Nemo is every bit as humorous as Monsters Inc., although some of the edy is more low-key. Hing experienced edians like Albert Brooks and Ellen DeGeneres as the lead voices helps immeasurably. Brooks, as is his forte, makes Marlin sound constantly beleaguered. DeGeneres is a hoot as the tang with no short term memory. Willem Defoe brings an initial whiff of the sinister to his part as Nemos older, larger tankmate. Other voices include Alison Janney, Austin Pendleton, and Geoffrey Rush as a helpful pelican.

Director Andrew Stanton has opted to animate some of the fish realistically, while using artistic license with others. The clownfish and hippo tang, for example, look almost identical to their real-life counterparts. The sea horses and turtles, however, he some of their rough edges smoothed out, making them cuter and more child-friendly. Overall, Finding Nemo is a treasure trove of visual splendor. From the opening scenes on the coral reef with Marlin taking up residence in his new anemone to the cheesy insides of Nemos aquarium cage, the film is colorful and amazingly detailed. Every time I view a Pixar film, I am stunned at how much there is to see. Finding Nemo proves that the puter animators can do as much under water as above it.

For longtime fans of Disney animated movies, there are a few nods to past efforts. The death of Nemos mother, which occurs early in the film (and is offscreen - no blood or overt violence to speak of) recalls a similar event from the classic Bambi. Likewise, a scene in which Marlin and Dory spend some time in the stomach of a whale will remind viewers of Pinocchio. And theres a throw in reference to Toy Story - in this case, a quick shot of a Buzz Lightyear doll.

I wonder if Finding Nemo will fuel an upsurge in interest in salt water aquariums. To be sure, clowns are interesting fish to keep, but only for those with a little patience. Children expecting their pets to exhibit the characteristics of Marlin and Nemo will likely be disappointed. Nevertheless, ecological considerations aside, theres nothing to gripe about where Finding Nemo is concerned. Pixar has done it again, and, in the process, managed to salvage Disneys reputation ?at least for a little longer.

海底总动员英文观后感NO3

Somewhere, under the sea, weak-finned clown fish Nemo (Alexander Gould) lives with his fretful father, Marlin (Albert Brooks). Smothered by pops paranoia, he ventures away from the reef, but his dads dread is justified when a passing diver whisks him away.

Taken to a tank in a Sydney dentists, Nemo meets Gill (Willem Dafoe) and co - friendly fish who dream of escaping to the ocean. Meanwhile, Marlin bumps into a blue tang named Dory (Ellen DeGeneres), and sets out to se his son...

The splendour of natural history hit The Blue Pla is matched by the wit of the and stars. Barry Humphries has a terrific cameo as a great white shark whos sworn off killing (Remember, fish are friends, not food!), while DeGeneres provides perfect timing and tone as Dory, whose short-term memory loss is a gag that never stops running。

海底总动员英文观后感